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The Horror Film

The Horror Film

Author: Rick Worland
Publisher: Wiley-Blackwell
ISBN: 1405139021
Pages: 336
Year: 2006-10-30
Combining historical narrative with close readings of several significant horror films, this brief volume offers a broad and lively introduction to cinematic horror. In doing so, it outlines and investigates important issues in the production, consumption, and cultural interpretation of the genre. An ideal text for perennially popular courses on the horror film genre. Examines the ways in which horror movies have been produced, received, and interpreted by filmmakers, audiences, and critics, from the 1920s to the present. Provides a short historical introduction of the horror film as an orientation to the field. Analyses a wide variety of major works in the genre, including Frankenstein, Cat People, Invasion of the Body Snatchers, The Texas Chain Saw Massacre, Halloween and Bram Stoker’s Dracula.
Horror and the Horror Film

Horror and the Horror Film

Author: Bruce F. Kawin
Publisher: Anthem Press
ISBN: 0857284509
Pages: 252
Year: 2012
'Horror and the Horror Film' is a vivid, compelling, insightful and well-written study of the horror film and its subgenres from 1896 to the present, concentrating on the nature of horror in reality and on film.
Horror, the Film Reader

Horror, the Film Reader

Author: Mark Jancovich
Publisher: Psychology Press
ISBN: 0415235626
Pages: 188
Year: 2002
This title brings together key articles to provide a comprehensive resource for students of horror cinema. Combining classic and recent articles, each section explores a central issue of horror film.
The Horror Film

The Horror Film

Author: Peter Hutchings
Publisher: Routledge
ISBN: 1317874099
Pages: 256
Year: 2014-09-11
The Horror Film is an in-depth exploration of one of the most consistently popular, but also most disreputable, of all the mainstream film genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world and never a time when they were not being criticised, censored or banned. The Horror Film engages with the key issues raised by this most contentious of genres. It considers the reasons for horror's disreputability and seeks to explain why despite this horror has been so successful. Where precisely does the appeal of horror lie? An extended introductory chapter identifies what it is about horror that makes the genre so difficult to define. The chapter then maps out the historical development of the horror genre, paying particular attention to the international breadth and variety of horror production, with reference to films made in the United States, Britain, Italy, Spain and elsewhere. Subsequent chapters explore: The role of monsters, focusing on the vampire and the serial killer. The usefulness (and limitations) of psychological approaches to horror. The horror audience: what kind of people like horror (and what do other people think of them)? Gender, race and class in horror: how do horror films such as Bride of Frankenstein, The Texas Chainsaw Massacre and Blade relate to the social and political realities within which they are produced? Sound and horror: in what ways has sound contributed to the development of horror? Performance in horror: how have performers conveyed fear and terror throughout horror's history? 1970s horror: was this the golden age of horror production? Slashers and post-slashers: from Halloween to Scream and beyond. The Horror Film throws new light on some well-known horror films but also introduces the reader to examples of noteworthy but more obscure horror work. A final section provides a guide to further reading and an extensive bibliography. Accessibly written, The Horror Film is a lively and informative account of the genre that will appeal to students of cinema, film teachers and researchers, and horror lovers everywhere.
The Hollywood Film Musical

The Hollywood Film Musical

Author: Barry Keith Grant
Publisher: John Wiley & Sons
ISBN: 1405182539
Pages: 182
Year: 2012-04-23
'The Hollywood Film Musical' examines the cross-fertilisation between the genre and the popular music industry, tracing the function of this relationship in aesthetic, ideological and industrial terms, and outlining the influence of minstrel shows, vaudeville, the Broadway stage, the recording industry, and stardom.
Planks of Reason

Planks of Reason

Author: Barry Keith Grant
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Pages: 428
Year: 1984
A comprehensive anthology of criticism on the horror film.
The Fantasy Film

The Fantasy Film

Author: Katherine A. Fowkes
Publisher: John Wiley & Sons
ISBN: 1444320599
Pages: 216
Year: 2010-01-26
The Fantasy Film provides a clear and compelling overview of this revitalized and explosively popular film genre. Includes analyses of a wide range of films, from early classics such as The Wizard of Oz and Harvey to Spiderman and Shrek, and blockbuster series such as The Lord of the Rings trilogy and The Harry Potter films Provides in-depth historical and critical overviews of the genre Fully illustrated with screen shots from key films
Horror International

Horror International

Author: Steven Jay Schneider, Tony Williams
Publisher: Wayne State University Press
ISBN: 0814331017
Pages: 384
Year: 2005-01-01
A close look at horror films from around the world, drawing attention to neglected social, cultural, and ideological aspects of the horror genre in international cinema.
A Companion to the Horror Film

A Companion to the Horror Film

Author: Harry M. Benshoff
Publisher: John Wiley & Sons
ISBN: 1119335019
Pages: 608
Year: 2017-01-17
"Offers a critical survey of the art and practice of horror movies covering everything from craft and technique, historical developments, and modern-day trends, to broader topics opening onto the socio-political dimensions of the genre. The volume begins with essays devoted to the theoretical methodologies used to study the genre, from cognitive and philosophical approaches, through audience reception and psychoanalysis, to those approaches that examine gender, sexuality, race, class, and (dis) ability in relation to the horror film. Subsequent sections cover horror film aesthetics, the history of the genre, and specific subjects including distribution and the relationship between horror, art house movies, and the documentary impulse."--Provided by publisher.
Projected Fears

Projected Fears

Author: Kendall R. Phillips
Publisher: Greenwood Publishing Group
ISBN: 0275983536
Pages: 227
Year: 2005-01-01
Examines ten key horror films in an attempt to answer the question of why they remain such a powerful force in American culture.
Genre in Asian Film and Television

Genre in Asian Film and Television

Author: F. Chan, A. Karpovich, X. Zhang
Publisher: Springer
ISBN: 0230301908
Pages: 255
Year: 2011-03-29
Genre in Asian Film and Television takes a dynamic approach to the study of Asian screen media previously under-represented in academic writing. It combines historical overviews of developments within national contexts with detailed case studies on the use of generic conventions and genre hybridity in contemporary films and television programmes.
World Cinema through Global Genres

World Cinema through Global Genres

Author: William V. Costanzo
Publisher: John Wiley & Sons
ISBN: 1118713109
Pages: 456
Year: 2013-12-02
World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force. The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses
Film Genre Reader IV

Film Genre Reader IV

Author: Barry Keith Grant
Publisher: University of Texas Press
ISBN: 0292745745
Pages: 784
Year: 2012-12-01
From reviews of the third edition: "Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology's consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview." —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film's most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
The Horror Genre

The Horror Genre

Author: Paul Wells
Publisher: Wallflower Press
ISBN: 1903364000
Pages: 130
Year: 2000
A comprehensive introduction to the history and key themes of the genre. The main issues and debates raised by horror, and the approaches and theories that have been applied to horror texts are all featured. In addressing the evolution of the horror film in social and historical context, Paul Wells explores how it has reflected and commented upon particular historical periods, and asks how it may respond to the new millennium by citing recent innovations in the genre's development, such as the "urban myth" narrative underpinning Candyman and The Blair Witch Project. Over 300 films are treated, all of which are featured in the filmography.
Mafia Movies

Mafia Movies

Author: Dana Renga
Publisher: University of Toronto Press
ISBN: 1442661747
Pages: 368
Year: 2011-04-16
Rico 'Little Caesar' Bandello, Michael Corleone, and Tony Soprano are just some of the onscreen mafia figures that have fascinated audiences since cinema's inception. Portrayals of the Italian and Italian-American mafia, though, have differed markedly over time and across multiple cultures—from the Godfather trilogy to contemporary Italian films, and in works both by established producers like Martin Scorsese and emerging directors like Matteo Garrone. Mafia Movies encourages mafia aficionados to explore the rich variety of classics and rarities within the genre with provocative analyses of over forty films. The essays in this volume provide a comprehensive exploration of the myth of the mafia onscreen, identifying key features and connections to styles such as film noir, thrillers, and even westerns. Mafia Movies also questions whether there are uniquely American or Italian ways of depicting the mafia, exploring how filmmakers from both countries have approached the subject in divergent ways.