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Performance Practices in Classic Piano Music

Performance Practices in Classic Piano Music

Author: Sandra P. Rosenblum
Publisher: Indiana University Press
ISBN: 0253206804
Pages: 516
Year: 1988
Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. "... is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." —American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." —Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." —Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." —The Musical Times "Its importance to thoughtful musicians cannot be overstated." —Choice "... thoroughly musicological." —Performance Practice Review "... indispensable... " —New York Times
Italian in 32 Lessons

Italian in 32 Lessons

Author: Adrienne
Publisher: W. W. Norton & Company
ISBN: 0393313468
Pages: 216
Year: 1995-09-01
Unlike traditionally dry language texts based on rote memorization and repetition, encourages creativity, allowing the learner to discover his or her own style. It gives the reader the essential, simplified grammar without force feeding, operating from the premise that grammar comes easily once vocabulary is properly learned. To that end, gives an indispensable vocabulary list that includes the three thousand most-used words. Complete with tests, a sample lesson plan, and a full answer key, is perfect for the self-learning beginner or for those just brushing up on their skills.
A Dictionary of Musical Terms

A Dictionary of Musical Terms

Author: Theodore Baker
Publisher:
ISBN:
Pages: 257
Year: 1895

Il piu forte

Il piu forte

Author: Giuseppe Giacosa
Publisher:
ISBN:
Pages: 296
Year: 1905

Il Diritto del più forte

Il Diritto del più forte

Author:
Publisher:
ISBN:
Pages: 211
Year: 1902

Music Notation and Terminology

Music Notation and Terminology

Author: Karl Wilson Gehrkens
Publisher:
ISBN:
Pages: 168
Year: 1914

PIU’ FORTE DELLA MORTE

PIU’ FORTE DELLA MORTE

Author: Franco Pastore
Publisher: Franco Pastore
ISBN:
Pages: 66
Year: 2014-12-26
Un’opera sui primi martiri cristani in Campania: Felice e Costanza, decapitati per ordine di Nerone, nella località Barbatianus ( oggi, Barbazzano, in Pagani ), dopo l’incendio di Roma.

Pronouncing and Defining Dictionary of Music

Pronouncing and Defining Dictionary of Music

Author: William Smythe Babcock Mathews, Emil Liebling
Publisher:
ISBN:
Pages: 240
Year: 1896

Pronouncing Dictionary of Musical Terms

Pronouncing Dictionary of Musical Terms

Author: Hugh Archibald Clarke
Publisher: Philadelphia, Pa. : Presser
ISBN:
Pages: 122
Year: 1895


Studies in Dante: Scripture and classical authors in Dante

Studies in Dante: Scripture and classical authors in Dante

Author: Edward Moore
Publisher:
ISBN:
Pages:
Year: 1899


Gesù è più forte della camorra

Gesù è più forte della camorra

Author: Andrea Manzi, Aniello Don Maganiello
Publisher: Rizzoli
ISBN: 885862078X
Pages: 252
Year: 2014-05-04
Ci sono due modi di intendere la missione apostolica in un territorio difficile come Scampia: uno è chinare la testa, non esporsi, parlare solo se interrogati; laltro è quello del padre guanelliano don Aniello Manganiello. Consiste nel vivere fianco a fianco con gli abitanti del quartiere e condividerne i problemi, spostandosi sempre a piedi perché in macchina non puoi verificare se il tuo passo è cadenzato su quello dei ragazzi. Sin dal primo giorno, don Aniello presta aiuto ai malati di Aids e ai tossicodipendenti, conduce battaglie sociali a favore di famiglie troppo frettolosamente etichettate come malavitose, visita le case di camorristi veri e li ascolta, ne ottiene la fiducia e talvolta vede persino compiersi conversioni e ripensamenti radicali. Con questi metodi, però, diventa un personaggio scomodo: nel quartiere è oggetto di continue minacce, fuori si fa nemici nellAmministrazione comunale e negli alti ranghi ecclesiastici, a suo giudizio non sufficientemente impegnati nonostante i proclami dalla parte dei più deboli. Nel 2010, dopo lennesimo scontro, la Congregazione dei padri guanelliani rompe gli indugi e decide di allontanare don Aniello dal suo rione, riportandolo a Roma, in una parrocchia del borghese quartiere Prati, dove aveva operato per anni.
New Method for the Pianoforte

New Method for the Pianoforte

Author: Nathan Richardson
Publisher:
ISBN:
Pages: 334
Year: 1894