Cette édition contient la traduction française et le texte original en anglais. "Le Portrait de Dorian Gray" ("The Picture of Dorian Gray") est un roman d'Oscar Wilde, publié en 1890 (révisé en 1891) et écrit dans le contexte de l'époque victorienne. L'auteur y inclut des thèmes relevant de l'esthétique tels que l'art, la beauté, la jeunesse, la morale, l'hédonisme, etc. Le roman est fantastique, mais aussi philosophique, et met en lumière la personnalité équivoque du dandy irlandais ainsi que le courant décadentiste, ce qui suscite de virulents échanges de lettres entre Wilde et plusieurs journaux très critiques jugeant l'œuvre "répugnante". C'est également l'unique roman de Wilde dans toute sa carrière. "The Picture of Dorian Gray" (1891), by Oscar Wilde, was first published as a serial story in the July 1890 issue of "Lippincott's Monthly Magazine". As submitted by Wilde to the magazine, the editors feared the story was indecent, and deleted five hundred words before publication — without Wilde's knowledge. Despite that censorship, "The Picture of Dorian Gray" offended the moral sensibilities of British book reviewers, some of whom said that Oscar Wilde merited prosecution for violating the laws guarding the public morality. In response, Wilde aggressively defended his novel and art in correspondence with the British press. Wilde revised and expanded the magazine edition of "The Picture of Dorian Gray" (1890) for publication as a novel; the book edition (1891) featured an aphoristic preface — an apologia about the art of the novel and the reader. The content, style, and presentation of the preface made it famous in its own literary right, as social and cultural criticism. In April 1891, the editorial house Ward, Lock and Company published the revised version of "The Picture of Dorian Gray". The only novel written by Wilde, "The Picture of Dorian Gray" exists in two versions, the 1890 magazine edition and the 1891 book edition, the story he submitted for serial publication in "Lippincott's Monthly Magazine". As literature of the 19th century, "The Picture of Dorian Gray" is an example of Gothic fiction with strong themes interpreted from the legendary "Faust".
Tour De France For Dummies
Author: Phil Liggett, James Raia, Sammarye Lewis
Publisher: John Wiley & Sons
A plain-English guide to the world's most famous-and grueling-bicycle race Featuring eight-pages of full-color photos from recent Tour de France races, this easy-to-follow, entertaining guide demystifies the history, strategy, rules, techniques, equipment, and competitors in what is arguably the most grueling and intriguing multiday, multistage sporting event in the world. Cowritten by the most popular English-speaking cycling commentator on the planet, this book is great reading for both experienced and the new bicycle racing fans alike.
Author: Weltausstellung (1862, London)
The champion cyclist recounts his diagnosis with cancer, the grueling treatments during which he was given a less than twenty percent chance for survival, his surprising victory in the 1999 Tour de France, and the birth of his son.
Author: Stephen L. Harp
Publisher: JHU Press
Harp uses the familiar figure of Bibendum and the promotional campaigns designed around him to analyze the cultural assumptions of "belle-epoque" France, including representations of gender, race and class. He also considers Michelin's efforts to promote automobile tourism in France and Europe through its famous "Red Guide" (first introduced in 1900), noting that, in the aftermath of World War I, the company sold tour guides to the battlefields of the Western Front and favourably positioned France's participation in the war as purely defensive and unavoidable. Throughout this period, the company successfully identified the name of Michelin with many aspects of French society, from cuisine and local culture to nationalism and colonialism.
Author: NA Hoyer, NA Kreuter, Alfred Schlomann
Publisher: Springer Science & Business Media
The nearly 150-year-old sport of cycling had its first competition in France in 1868. Soon afterward, the need arose for purpose-built cycling tracks because of poor road conditions at the time. Racing on blocked off pieces of street or grass soon evolvedinto racing on special tracks called velodromes. This development marked the split into what are still the two main forms of cycling competition: road racing and track racing. Initially, track cycling was more popular in terms of public attention and money to be earned by racers, but this gradually changed in favor of road racing, which has been the most popular form of cycling since at least the end of World War II. The Historical Dictionary of Cycling takes a closer look at the sport, as well asdiscussing the use of bicycles as a means of fitness, touring, and commuting. This is done through a chronology, an introductory essay, appendixes, photos, a bibliography, and over 500 cross-referenced dictionary entries on cycling's two main disciplines—road and track—as well as brief overviews of the other forms of cycling. This book is an excellent access point for students, researchers, and anyone wanting to know more about cycling.
Tour de France
Author: Christopher S. Thompson
Publisher: Univ of California Press
In this highly original history of the world's most famous bicycle race, Christopher S. Thompson, mining previously neglected sources and writing with infectious enthusiasm for his subject, tells the compelling story of the Tour de France from its creation in 1903 to the present. Weaving the words of racers, politicians, Tour organizers, and a host of other commentators together with a wide-ranging analysis of the culture surrounding the event including posters, songs, novels, films, and media coverage Thompson links the history of the Tour to key moments and themes in French history. Examining the enduring popularity of Tour racers, Thompson explores how their public images have changed over the past century. A new preface explores the long-standing problem of doping in light of recent scandals.